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Ocean Ecology Science Illustration

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Polluted Oceans Future by Nicolle R. Fuller, SayoStudio

The Future of Our Oceans Science Illustration

Picture our oceans in 30 years. What do you see? The year 2050 isn’t that far off, and it’s critically important that we make changes now to secure a healthy future. The lead image above paints a dark picture of future ocean ecosystems—but it doesn’t have to turn out this way.

Ecologist, marine biologist, and conservationist Douglas J. McCauley, UCSB, contacted Nicolle to create this ocean ecology science illustration. For McCauley’s article, 10 steps to save the ocean, he needed a vivid visual of the consequences of inaction. Continue reading to learn more about the process of creating this epic illustration, and to see the alternative, healthy future (jump to the full art close-up).

Land vs Sea Extinctions by Nicolle R. Fuller, SayoStudio
Humans have had a drastic impact on land, leading to pollution and extinctions. Will our oceans face the same fate?

This is the kind of challenge we love at SayoStudio—making epic, conceptually complex art pieces for important causes. Nicolle has had the pleasure of working with the McCauley lab for many years, with one of our first and most popular collaborations shown here, comparing land and ocean extinctions. McCauley referenced this land vs sea extinction art as a starting point for his vision of the new ecology landscape. (another personal favorite of Nicolle’s, hippo poop ecology!).

The land/sea extinction comparison was one of SayoStudio’s first ‘epic’ pieces. It shows the history of human impact on land, and the parallels to our oceans’ possible ecological future. This piece became a great example of how rich and visually complex an infographic can be.

Clarifying Details: Research and Sketching Ocean Ecology Science Illustration

McCauley provided Nicolle with a detailed list of content to include, as well as pages of helpful photo references. For the healthy ocean ecology illustration, we needed to include:

  • sustainable fishing
  • green energy, including solar, wind, and wave
  • sustainable farming, including landbased and aquaculture
  • people’s role, enjoying recreation, and clean cities and communities
  • responsible shipping powered by green energy
  • diverse marine life, from mangroves and corals to deep-sea vents

Vs. the unhealthy vision, where the ocean ecosystem has collapsed:

  • destructive trawling fishing leaving little behind
  • oil drilling, polluting the ocean and air
  • large-scale pollution from land-based farming and aquaculture
  • unsustainable land-use; unhealthy housing
  • polluting cargo ships that interfere with whales and other marine animal communication
  • little sea life left, replaced with plastic pollution

Composing the Ocean Ecology Science Illustration

Science Ecology Illustration sketch by Nicolle R. Fuller, SayoStudioStarting with McCauley’s references we gathered our own research to envision what a healthy, sustainable landscape might look like in 30 years. Since we were looking at a tropical ocean, Nicolle took a lot of inspiration from Singapore’s amazing, futuristic architecture.

Sadly, envisioning the unhealthy alternative isn’t as hard, as there are already many photographic examples from across the world.

To confirm that our visions matched, we followed our typical process with a pencil sketch for review. The details of the sketch are a bit rougher than usual. Since we’d worked together so many times before, we had an ample range of work to reference, and McCauley felt confident of the final art’s quality. Primarily, we needed to confirm the overall composition and make sure there weren’t missing key elements. He and his lab gave some suggestions on the sketch to incorporate into the color art creation. For example, they emphasized the need to represent people in the healthy view.

Color Art, Bringing the Ocean Art to Life

With the composition agreed on, we started 3D-modeling the landscape. First, we focused on the background hills and underlying ocean bottom. It was created in the terrain software Gaea, which uses erosion algorithms to create realistic landscapes. We wanted to have the option to create a simple animated version, fading from one view to the other. To do so, the ‘bones’ of the 2 landscapes needed to match as closely as possible.

Oceans 2050 3d art process SayoStudio, N.R.Fuller
Individual 3d components that were composited in the final art, by Nicolle R. Fuller, SayoStudio

Often we begin with the overall sky. It helps set the tone and motivates us to fill the scene. From the start, we knew we wanted a sky free of pollution for the healthy view, and a darker, polluted sky for the unhealthy scene. With the overall landscape taking shape, we started modeling individual components.

Working in 3D, there are some models you can buy pre-made to place in your scene. Although we do use stock models on occasion, we often hand-model to create our own unique pieces that better fit the science. Some of our custom models in this creation include much of the coral, the futuristic city, the futuristic fishing boat and cargo boat, the yellow Argos floats, and the fishing nets. For the people, we customized models from Daz 3D. For other parts, like the complex cargo ships, it made more sense to use stock models, such as the complex cargo ships in the unhealthy scene. Still other pieces start with a model, and then details are hand-drawn on top.

Final Touches to the Ocean Ecology Illustration

Marine Life drawn by Nicolle R. Fuller, SayoStudio
Hand-drawn sea life that was incorporated into the final art.

Finally, we try to remind ourselves from time to time that we were trained to draw traditionally. It was more efficient to hand-draw the fish and other animals. As each piece was finished, whether with a 3D model or a hand drawing, we added it to the larger landscape in Photoshop. This collage approach allows for more flexibility. Although we still can’t fully change compositions in the color art stage, it lets us easily add or subtract elements.

With most of the pieces in place, the final work was emphasizing the contrast between the scenes. Having trained herself to make uncomfortable subjects palatable, Nicolle found it challenging to make the unhealthy vision dark and foreboding. McCauley did a fantastic job art-directing, and gave suggestions on ways to really make the contrast clear. In the polluted landscape we shifted the colors to more browns, while in the healthy landscape we exaggerated the saturation of blues. You may also notice other details, like more garbage as we progress in the polluted scene. In the healthy future, we added kelp in the background and played with the balance of colorful fish to keep the eye moving through the image.

Science Ecology Illustration Process and edits by Nicolle R. Fuller
On the left is the first full-color draft. Moving to the right, you see more iterations that increase the contrast between the 2 visions. Notice the subtle differences?

The Final Ocean Ecology Science Illustration

There are so many details in this illustration that we created an animated view to zoom in for a closer look. The article used the final still art, but the animated version proved useful to promote the story across social media. To learn more about the science, and what you can do to impact change, see McCauley’s article at the World Economic Forum.

 

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